Our first CD, Sculpting the Fabric, is available to purchase from major retailers including Presto Music, or directly from Ambronay Editions. Available to stream from all the usuals, Spotify, Apple Music, YouTube etc.
Reviews for Sculpting the Fabric:
‘vibrant, luminous and moving [...] a miracle’
Revista Ritmo (Mercedes García Molina)
‘virtuosity, precision, expressive subtlety and, above all, obvious enthusiasm’
* * * * * Diapason
‘blows a liberating gust of fresh air over this repertoire
[...] a very beautiful eloquence’
* * * * * ResMusica (Cécile Graenzer)
‘a fanciful and whimsical execution that vitalizes [...] an unpredictable experience’
* * * * * Disc of the Month - Rivista Musica (Lorenzo Tozzi)
‘Enviable instrumental quality [...] a total freedom in tone
[...] unpredictability and extravagance’
* * * * * On.Mag (Jean-Pierre Robert)
‘A great, luminous whole [...] Played [...] sensually, racingly, poignantly’
* * * * * Klassik (Manuel Stangorra)
‘keeps the listener continuously on the edge of their seat. A great debut album’
* * * * * Rondo (Michael Wersin)
‘five individual energies [...] one sensitivity’
* * * * * Melómano (Pablo Cantalapiedra)
‘a fanciful, inspired performance that vitalises [...] The rich and refined ornamentation [...] brings out the virtuosity of the young instrumentalists [...] they make the act of listening an unpredictable experience.’
* * * * * Revista Musica (Lorenzo Tozzi)
‘full of affect and effect’
* * * * Pizzicato (Uwe Krusch)
‘clear, radiant and dynamic’
Radiotelevision Suisse (Benoit Perrier )
‘A communicative energy and an exact science [...] impassioning’Classique c’est cool (Hughes Rameau-Crays)
‘Luminous interpretations’
Revista Scherzo (Eduardo Torrico)
‘Great playfulness’ ... ‘audible joy’
Toccata magazine (Wolgang Reihing)
Reviews for Sculpting the Fabric:
‘vibrant, luminous and moving [...] a miracle’
Revista Ritmo (Mercedes García Molina)
‘virtuosity, precision, expressive subtlety and, above all, obvious enthusiasm’
* * * * * Diapason
‘blows a liberating gust of fresh air over this repertoire
[...] a very beautiful eloquence’
* * * * * ResMusica (Cécile Graenzer)
‘a fanciful and whimsical execution that vitalizes [...] an unpredictable experience’
* * * * * Disc of the Month - Rivista Musica (Lorenzo Tozzi)
‘Enviable instrumental quality [...] a total freedom in tone
[...] unpredictability and extravagance’
* * * * * On.Mag (Jean-Pierre Robert)
‘A great, luminous whole [...] Played [...] sensually, racingly, poignantly’
* * * * * Klassik (Manuel Stangorra)
‘keeps the listener continuously on the edge of their seat. A great debut album’
* * * * * Rondo (Michael Wersin)
‘five individual energies [...] one sensitivity’
* * * * * Melómano (Pablo Cantalapiedra)
‘a fanciful, inspired performance that vitalises [...] The rich and refined ornamentation [...] brings out the virtuosity of the young instrumentalists [...] they make the act of listening an unpredictable experience.’
* * * * * Revista Musica (Lorenzo Tozzi)
‘full of affect and effect’
* * * * Pizzicato (Uwe Krusch)
‘clear, radiant and dynamic’
Radiotelevision Suisse (Benoit Perrier )
‘A communicative energy and an exact science [...] impassioning’Classique c’est cool (Hughes Rameau-Crays)
‘Luminous interpretations’
Revista Scherzo (Eduardo Torrico)
‘Great playfulness’ ... ‘audible joy’
Toccata magazine (Wolgang Reihing)
‘Extraordinary talents and energies’
Enrico Onofri
‘From the first notes, the quality of La Vaghezza’s playing was remarkable[…] A tightly woven ensemble that gave an engaged and stirring performance [...] La Vaghezza seduced us with the quality and the élan of their interpretation’
Classicagenda
Enrico Onofri
‘From the first notes, the quality of La Vaghezza’s playing was remarkable[…] A tightly woven ensemble that gave an engaged and stirring performance [...] La Vaghezza seduced us with the quality and the élan of their interpretation’
Classicagenda
‘They are unconventional and truly new. I can never quite relax when they play because I am surprised again and again - they question my positions and my securities, and rightly so. These young people are the window into our future and we can only learn from them’ Alessandro De Marchi, conductor and director of the Innsbruck Festival
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